three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground — Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left — Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left — Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag — Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ — Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right — Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right — Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures — Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground — Sakuma Dennai, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

swimmer with long hair, holding a knife in PR hand, entangled in an octopus' tentacles; thin paper mounted on backing sheet — The Diving Woman of Shido Bay, c. 1882
Tsukioka Yoshitoshi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head — Preparatory drawing of Sakuma Dennai, 1869
Tsukioka Yoshitoshi

G238

many women, men and children on beach at right, some standing and some digging in sand with their hands and staffs; boat in foreground at left, with a man carrying a woman in blue piggyback out of boat; more boats in middle ground near horizon line; low mountains at right; mounted on foamcore board with grey silk edging — Clam Digging, 1860s
Tsukioka Yoshitoshi

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woman lying on a red pallet with a black neckrest and blue and white pillow with yellow tassel beneath her head; woman wears a red and white abstract floral patterned kimono with similar purple pattern around neckline; floral screen behind woman — Appearing Sleepy, Behavior of a Harlot of the Meiji Period, April 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Yamamoto Shinji

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unattached diptych; two heavily tattooed, seminude male figures; figure at L is scratching PL shoulder with PR hand, looking back; figure has small purse crossing his upper body; kerchief tied in bow over head; figure at R has blue spotted kerchief on hair, looking outward — Fashionable Men with Impressive Bare Bodies, 1859, 12th lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Kakumotoya Kinjirō

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unattached triptych; three tattooed male figures against blue background with morning glories; each figure has a blue towel, and intricate tattoos — Modern gallants with morning glories, 1860, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kameya Iwakichi; Carver: Kobayashi Kintarō

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unattached diptych: group of motely figures and a dog huddle under large tree at L; hairy creature with fangs and yellow eyes under umbrella runs towards tree; male and female figures at R also head towards tree; sky is gray, with rain — Pictures from Ōtsu, 1860, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Kameya Iwakichi; Carver: Koizumi Kanegorō

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three separate sheets; saturated color; underwater scene; figure at L riddled with arrows and blood standing in front of large brown rock, wielding sword; figure at C sinking in water, with arrows in body, sinking toward crabs at bottom; family in robes at R seated on rock, looking on; figure in foreground with swords, bloody, charging to L — Picture of the Heike Clan Sinking and Perishing at Sea, 1853, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Kazusaya Iwazō

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one sheet; man riding a horse underwater; only head and upper body of man and neck and head of horse visible over the green water; trees on opposite bank; red glow at horizon line — Matsunoya Tairyū; Asabe Bungonosuke Sadaaki, 1868, 2nd lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Masudaya Ginjirō

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three men fighting a large black bear in the falling snow; arrows in bear's body; man at right center wears a quiver of arrows and plunges a dagger into the bear's body — Abe Hirafu, February 1880
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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three separate sheets; landscape with purple, red and yellow flowers around a stream; man wearing black cap and kimono with gold birds on tan and green ground, playing a black flute, at center; crouching man at right holding a sword, wearing a purple kimono with yellow and blue flowers — Autumn Moon at Tōin: Hirai Inaba-no-kami Yasumasa and the Thief Hakamadare Yasusuke, 1868, 4th lunar month
Tsukioka Yoshitoshi; Artist: Katsukawa Shuntei III; Publisher: Sanoya Tomigorō

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two separate sheets; man riding through waves on the back of a sea turtle; man wears brown tunic and blue pants, with straw leg coverings, and holds a thin bamboo staff in his PR hand; man looks over his shoulder at a man with a small dragon on his head and a woman, accompanied by two other women with decorative objects on poles, in URQ — Urashima Returns Home from the Dragon Palace, January 1886
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

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one sheet; man crouching behind a black lantern; man wears purple patterned pants and red, black and brown armor on chest and arms; man holds a spear; blue ground — 11, Chikamatsu Kanroku Minamoto Yukishige, 1868, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

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woman with body twisted into an S shape, with her head leaning in, holding a white umbrella with black and yellow painterly lines, standing in the falling snow; woman wears grey kimono with light grey spots, with red and white collar and cuffs; striped garment on her lower body in grey, purple and brown with yellow and red vines and leaves — Appearing Cold, Behavior of a Fukagawa Nakamachi Geisha of the Tenpō Era, November 1887
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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figure with human body and rather bird-like facial features, with elongated beak-like mouth with teeth, long flat nose and bulging eyes, with feathers/fur on top and head and flowing backwards from sides of head; sketch of head, body and arms of figure, wearing a necklace (?) with four large balls and bows, and holding a staff with rings at bottom in PR hand; verso: sketch of small bird and head of a bird in LRQ; unsigned — Study of a mountain goblin (tengu) dressed as a hermit (yamabushi), 1860s
Tsukioka Yoshitoshi

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portrait of a frowning man in rectangle in LRC, with red lips, wearing purple, grey and white striped kimono and undergarment with swirling blue pattern; pink ground; rectangle at left with text, with blue background with white and grey flowers; purple and yellow flower motifs with green leaves and branches in background — Kiku moyō enmei bukuro, no. 2, 1890-1891
Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha

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print in the form of a fan; man at left with legs wide apart, holding a staff with both hands; man wears black armor with red trim; jumping woman at right with legs drawn up, wearing purple, blue and green flower patterned kimono; figures on wooden bridge; moon in sky to left of woman; received matted — Yoshitsune and Benkei on the Gojō Bridge, March 1886
Tsukioka Yoshitoshi; Publisher: Yokoyama Ryōhachi

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three separate sheets; man wearing tan kimono with white and orange flowers, light blue pants and black hat at center, playing a black and brown flute; crouching man wearing blue, turquoise and grey, reaching for his sword, at right; silhouettes of grasses blowing in wind behind figures; orange-yellow moon at left; grey clouds — By Request, Picture of Fujiwara Yasumasa Playing the Flute by Moonlight, a Painting Shown at the Exhibition for the Advancement of Painting in Autumn 1882, February 1883
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon

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woman with body twisted into an S shape, with her head leaning in, holding a white umbrella with black and yellow painterly lines, standing in the falling snow; woman wears grey kimono with light grey spots, with red and white collar and cuffs; striped garment on her lower body in grey, purple and brown with yellow and red vines and leaves; line of brown text in left margin — Appearing Cold, Behavior of a Fukagawa Nakamachi Geisha of the Tenpō Era, February 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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unassembled triptych: female figure in voluminous pants and sashes standing on platforms at L, looking down over subjects, emitting white beams from head; female figures in white and red with animal-like faces stand within beams in room below; male figure on stairs at C looks alert, PL hand on sword — Miyamoto Musashi and the Exorcism of the Evil Fox of Princess Osakabe, 1863, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Yamazakiya Seishichi; Carver: Tatekawa Hatsue

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woman leaning toward PL, with her head tilted slightly down, holding up her PR hand; woman wears light blue kimono with busy pattern of pink and white blossoms and scalloped cartouches with multicolored geometric patterns and red undergarment with purple collar with blue, green and tan leaves; green and tan obi — Appearing Appalled, Behavior of an Unmarried Woman from Nagoya of the Ansei Era, 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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two separate sheets/vertical orientation; shirtless man at bottom with floral tatoos, wearing black and white garments and yellow fiber sandals, smashing green structure below sculpture of mottled pink muscular man with grey hair, with colorful garments — Picture of Drunken Lu Zhishen Smashing a Vajra Warrior at the Temple of Mount Wutai, September 1887
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

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two separate sheets/vertical orientation; man at bottom wearing lavender pants, light blue belt and white blouse, with hands clasped and eyes closed, holding a cloth (?) between clenched teeth; birds flying around man; second standing man at top wearing colorful armor over a green garment with blue, tan and yellow floral patterns, with a snake behind him — Picture of Hakamadare Yasusuke and Kidōmaru Fighting with Magic, September 1887
Tsukioka Yoshitoshi; Carver: Takimoto Chokuzan; Publisher: Daikokuya Heikichi

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two standing men at center; both men wear outer garments in bold black and white triangle print with purple blouses; man at left wears pink flowered pants; man at right wears yellow and green flowered pants; two seated men in LLC--man wearing similar black and white garment holding a white and yellow cylindrical object, and bald man seen from back wearing orange; water in background with boats; snow-covered ground and trees around figures — Twelfth Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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two separate sheets; woman at left wearing grey and blue striped kimono with red garment underneath and holding a folded cloth in her mouth, looking over her PR shoulder; woman at right wearing black hood and garments, looking at a man in blue stripes; another woman holding up a drunk man behind first woman; woman in grey and purple stripes at left edge of right image — Story of Shiraito of the Hashimotoya, February 1886
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Kamekichi; Carver: Watanabe Yatarō

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ink drawing with red, purple, yellow, green and blue; standing woman with floral decorations and red and white strands of beads in her hair, wearing multicolored draping scarves around her upper body, pointing with her PL hand at two impaled heads on a red, white and yellow staff, and holding a severed head with open mouth in her PL hand; trees behind her — Keyblock drawing for "Lady Huayang", 1865, 2nd lunar month
Tsukioka Yoshitoshi; Author: Kikuyōtei Rokō; Publisher: Daikokuya Kinnosuke

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portrait of a woman holding the wings of an origami crane in her hands; woman wears dark blue kimono with light blue circular pattern, with red and purple patterned collars; very large, slightly abstracted purple flowers with leaves and stems in two shades of green behind woman — Osome, 1864, 7th lunar month
Tsukioka Yoshitoshi; Artist: Kawanabe Kyōsai; Publisher: Daikokuya Kinnosuke

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figure standing on top of a grey rock with water around it, looking down into water; figure wears white pants and purple and red blouse; large pink fish with yellow eyes, LRC — Picture of Oniwakamura Watching the Carp in the Pool, October 1889
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Wada Yūjirō

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male figure with head to R in triangular cartouche, framed with wreath; yellow glass wind chime with paper hanging from wreath; bamboo in lower background; white robe with dark blue swirls — Actor Nakamura Shikan IV, 1862, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Daikokuya Kichinosuke

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woman leaning out of a window on a boat, with her hands in the water, holding a white cloth with red trim between her teeth; woman wears a kimono with white, green and brown checks; mounted on moderately stiff backing paper — I want to wash my hands, January 1878
Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Inoue Mohei

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three separate sheets; miniature railroad with women and men in European dress inside car behind locomotive; women and men in LRC; couple at left beneath a walkway, with a view of boats and water behind them; yellow, brown and blue brick wall in middle ground, with figures in Asian dress and horses walking and standing by railings along top of colorful brick wall — Famous places in Tokyo, Takanawa: Picture of . Complete picture of a steam locomotive and railroad, 1871, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Yamashiroya Jinbei

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two men in a room; man at R is seated on floor, leaning back slightly and pointing fan at L man; man at L is leaning towards R man, with hand on sword; shades in room are yellow and red — Third Act, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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standing woman bending forward, with long loose hair, with a strand in her mouth, holding strands in each hand in front of her; woman wears garments in blue and grey with purple flowers and red and white stripes; waves behind woman at her skirts; dark blue ground, with some falling pink flowers and petals — Kiyo-hime, 1865, 9th lunar month
Tsukioka Yoshitoshi; Author: Sumida Ryōko; Publisher: Daikokuya Kinnosuke

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three separate sheets; long blue, black and white bridge over water; pink fireworks in sky, center and left; horses, carts, buggies and people on bridge, in predominately red and purple garments; many boats on water; boat in LLQ has red lanterns with black characters — Picture of the Ryōgoku Bridge in Tokyo, c. 1875
Tsukioka Yoshitoshi; Publisher: Inoue Mohei; Carver: Ōta Tashichi

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two separate sheets/vertical; man in foreground wearing light blue tunic with purple and gold flowers and black trim, white pants and black boots, holding a bloody sword; slain man behind first man, lying in snow, with a red staff punctured into his body, wearing a brown blouse and white pants; large mountain peak in background; falling snow; fire at center left — ‘Panther Head’ Lin Chong Kills Officer Lu Outside the Mountain Temple, April 1886
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

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head and upper body of reclining woman, with her PL hand behind her head, face upturned, eyes closed and tongue sticking out slightly, with her PR arm in front of her; woman wearing blue kimono with bird patterns in white, pink and red undergarment and brown, yellow, grey and blue obi with flower band; blue and white bowl in LLC, papers and brown box and small papers (?) in LRC; vertical line of text in brown in left margin — Appearing Relaxed, Behavior of a Kyoto Geisha of the Kansai Era, February 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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soldiers in predominately red and purple tunics and blue pants, with rifles, at left; two fallen men with bugles; man at center in red tunic with blue sleeves aiming rifle at jumping man with spear in red and blue at right; grey and blue smoke clouds — The Great Battle of the Ane River in the Chronicle of the Great Peace, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

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one sheet; man wearing a blue and white kimono with blue characters emerging from a green, red and yellow tent (or mosquito net?); objects in the air in ULQ (including a drum?) — Amako Hachirō, February 1874
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Shimada Tomekichi

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standing woman with elaborate ornaments in her hair, wearing a lavender kimono with brown and white flowers and light blue belt, with red underneath; shaded grey ground with falling cherry blossom petals — Spirit of the Komachi Cherry Tree, October 1889
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Wada Yūjirō

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woman holding the PL sleeve of her kimono between her teeth; woman wears yellow, green, red and black plaid kimono with black trim and collars in purple with white spots, orange and red — Appearing Embarrassed, Behavior of a Girl of the Meiji Period, November 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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male figure looking L, holding sword in teeth; black streaks in foreground partially obscuring figure's body and bushy black hair — Actor Ichikawa Kodanji IV as Torii Matasuke, 1860, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

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three sheets of thin paper joined together; black ink with touches of red and blue-grey; large spider with very large eyes, looking up, in LLC; diagonal lines extend through picture plane from LLC (spider web?); figure at right on stomach slides between lines; man with flowered pants holding a flaming torch at top center, striding toward spider; jumping man in ULC; rocky landscape in background at center and right; figures in URC peering over rocky peak; blank rectangular cartouche, URC — Minamoto Yorimitsu (Raikō) and His Retainers Attacking the Earth Spider (Tsuchigumo), early 1860s
Tsukioka Yoshitoshi

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frowning, falling man wearing blue geometric patterned kimono, with bare legs, at center, being grabbed from behind by a man wearing a black and white garment with triangle patterns and a white headband, holding a sword in front of first man; another standing man wearing similar triangular patterned garment at left, holding a staff; battle scene in background in ULQ with silhouettes of fighting figures in the snow — Eleventh Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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two men running on a wooden bridge; frontmost man is barefoot, wearing grey, black and red armor on his body and legs, with bare arms, wearing a green garment with brown scrolling vines, holding a blade-tipped spear with a pink cloth attached to the end; man in background wears zori with platforms and a red garment with green flowers; orange moon low in sky in LLQ — Ushiwakamaru, Son of Distinguished Family and Later Iyo-no-kami Minamoto Yoshitsune and Saitō Musashibō Benkei, October 1878
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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woman peering out from between two slatted doors; woman wears pink kimono with twining pink morning glories with green stems and leaves, with white collar and red cuffs — Appearing Inquisitive, Behavior of a Maid of the Tenpō Era, April 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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two sheets joined together; old woman with long white hair wearing a yellow headband and a garment with green ground, multicolored moths and white and blue foliage and flowers, bending down to look inside a brown box at left; seated man at right wearing an olive green garment decorated with white circles, lines and spots, with a sword on a bamboo tripod behind man to his right; pale blue ground — Picture of the demon disguised as an old woman begging to see her arm six days after Watanabe Tsuna had returned with it to Kyoto on the 9th day of the 4th lunar month 976, December 1885
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

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reclining woman, lying on her side curled into a ball, with her lower body outside of picture plane, with a white cat with yellow eyes curled up next to her; cat wears a red and pink collar with a yellow bell; woman wears a kimono with brown, white, green and purple triangle and arcing patterns with birds, red cuffs and green, white and yellow obi with abstract scrolls and flowers — Appearing Tiresome, Behavior of a Maiden of the Kansei Era, February 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman looking over her PR shoulder, playing a shamisen; woman wears a blue checked kimono with black trim and red undergarment with purple and white collar — Appearing Entertained, Behavior of a Teacher of the Kaei Era, November 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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ink drawing with blue, red, brown, yellow and green; two fighting men, foreshortened; man on top is bare chested and wears a blue skirt, holding his PL lower leg across stomach of other man, and holding other man's neck in his PL hand; man on bottom wears brown, yellow and red helmet, red garment with yellow designs, and green boots with brown soles; snow covered tree at left; attached to off-white mount sheet — The Boatman Zhang Heng, 1868, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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triptych with right and center images pasted together; all three panels attached to backing paper; four figures in a boat with a thatch-roofed shelter at the center; seated pointing man to left of shelter wears red armor and a green kimono with blue and red patterning; standing man at left wears purple pants and sleeves with red and black checks; man in red and black armor to right of shelter; man wearing white loincloth at right front of boat, rowing with a bamboo pole; four flying crantes at top left; crane to right of rowing man; battle on far shore wtih clouds of pink smoke in URC, man on horseback and figures with banners — Second Shogun, Lord Daitoku-inden Hidetada, 1875
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei

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one sheet; man on a white horse with another man falling in foreground, with feet in the air; man on horse wears multicolored armor and red, black and patterned garments; falling figures wears green, white, black and red armor, and blue and white pants — Sagami Jirō Taira Masakado, December 1883
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

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Picture of the Exiled Councilor Yukihira Ason Amusing Himself with the Two Divers Murasame and Matsukaze at Suma Beach, December 1886

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

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Picture of the old woman retrieving her arm, April 1889

Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Takimoto Chokuzan

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one sheet; grimacing figure with red skin and beard, wearing green patterned kimono, partially reclining on floor on his stomach, with his chin behind held by a heavy-set bald man standing over him; heavy set man has pink and white skin with white circles and wears a crane patterned kimono with purple ground; brown demon with white hair and pink blouse at right; gesturing man in red kimono, URQ; pair of gruesome heads--red face frowning and white face smiling--in ULQ; books and scrolls with text, LRQ — Asahina Saburō Yoshihide, 1872-1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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standing woman wearing while kimono with red lining; black obi; woman wears a white hood; woman holds a yellow and black umbrella; three cranes--two flying in URQ, one beside woman in LLQ; snow falling — Heron Maiden, April 1889
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Yamamoto Shinji

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woman bending forward, washing her hands beneath water flowing from the mouth of a green dragon-shaped spout, holding a folded white cloth between her teeth; woman wears kimono with red, pink and white floral rondels and stripes, and purple and white stripes and flowers — Appearing Chilly, Behavior of a Kept Woman of the Bunka Era, April 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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one sheet; man with a knife in his mouth, with bare lower body, wearing open floral patterned kimono, clinging onto the back of a giant swimming red fish — Saitō no Oniwakamaru, 1872-1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Shimada Tomekichi

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one sheet; legs, face and PR arm of man falling into splashing mud; man holds sword straight up in PR hand and wears black stockings and sandals — Tanaka Kanhachi, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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one sheet; man riding a white and grey horse, seen from back, with blood on man's arms and horse's hips and PL back leg; arrow in horse's PR flank; fallen figure with two arrows in chest, bleeding, in LLQ; another figure standing in front of horse, with only bloody face and bloody PR leg visible; stream in middle ground; green mountains in background — Hatakeyama Shōji Shigetada, December 1883
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

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woman collapsing a hanging paper lantern with a burning candle inside; two lanterns visible, which are white with red floral and leaf designs; woman wears a blue kimono with blue and grey abstract leaf patterns, red trim and brown obi with yellow leaf fronds — Appearing Observant, Behavior of a Kyoto Waitress of the Meiji Period, May 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Yokichi

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detached triptych; two men sword fighting at R in front of black gate; man at R, in red, is about to strike down with his sword while dodging the sword of figure at C; man at UL on horseback charges at group of men with large spear — Mashiba, the Tairyō, Subjugates Korea, 1862, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Iwazō Katōya

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woman with white and purple irises behind her; woman wears Western dress, with a straw hat with black feathers and white flowers, pink and purple dress with purple and white plaid collar and large black buttons and blue tie at neckline; woman holds a Western style pink parasol with black handle and purple tassel with red bead — Appearing as if Having Been on a Stroll, Behavior of a Lady of the Meiji period, June 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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ink drawing in black and red; two men fighting; man at left falls forward, grabbing the hair of man at left, who is falling backward; attached to off white mount sheet — Preparatory drawing of Sumoto Sakyō, 1874
Tsukioka Yoshitoshi

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portrait of a man with bushy hair in hairstyle with rounded areas at sides of head, back of neck and sideburns; man's head turned slightly to PR, with a grimacing expression; man wears brightly colored garments of various patterns, with yellow floral patterns on blue on shoulders and black and grown armor on PL arm, with hand in front of chest; large red tassel on PR shoulder; border around portrait rectangle has abstracted save design in blues and white, with yellow dots — Lake: Actor Ichikawa Sadanji I as Akechi Samanosuke, September 1876
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Watanabe Eizō I

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woman with her PR hand in her chin, looking out an open window; woman wears blue striped kimono with red trim on collar; red and white paper lantern with flower design in URC; view of waves and water beyond window — Appearing Refreshed, Behavior of a Geisha since 1872/73, May 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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ink drawing with blue, green, yellow and red; standing man with feet wide apart, holding sword over his head, scowling in anger; man has long black hair and wears greenish-blue blouse with gold dragons, red pants and skirt with wave patterns; rounded dark doorway at left behind figures; flowers, URC; attached to off-white mount sheet — Nine-Tailed-Turtle Tao Zongwang, 1868, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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standing man with his legs wide apart, wearing high yellow and brown zori sandals and blue garments with predominately blue, green and yellow floral medallions on skirt, holding a brown and yellow umbrella over which a black and grey shadowy demon peers — Fuwa Bansaku, 1865, 8th lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Daikokuya Kinnosuke

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portrait of frowning man in rectangle in LLC, with red lips, head turned slightly toward, PR; man has PR hand on sword handle; wearing purple kimono with white flowers inside circles; grey ground; rectangular block of text at left with pastel shaded ground; one green and three red seals — Number Two, c. 1885-1890
Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha; Carver: Noguchi Enkatsu

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two men fighting underwater (?); man on bottom has bulging eyes and open mouth, with long hair and beard, wearing a robe with purple flowers; man on top has rounded hairstyle with wears multicolored armor; rock with round openings in background at right — Saitō Izu Nyūdō Ryūhon and Haku Neishi Settō, 1866, 1st lunar month
Tsukioka Yoshitoshi; Publisher: Moriya Jihei; Carver: Ōta Tashichi

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seated man wearing black robe with dragon design with red lining; man looks over his PR shoulder into a mirror, which reflects his face as a brown rat's face with black eye; man in turquoise robe with white flowers at right, with both arms up and mouth open, brows furrowed — Shumitsu Kanja Yoshitaka, 1867, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

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man with horse in deluge of water, with pointy waves; man wears garments of purple and bold print with multicolored floral medallions against red ground; man holds bamboo staff in PR hand and blue and white striped cloth, which are horse's reigns, in PL hand; brown horse with red bridle — Flood: Actor Nakamura Shikan III as Abe Bungo-no-kami, October 1876
Tsukioka Yoshitoshi; Carver: Asai Ginjirō; Publisher: Yorozuya Magobei

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Picture of Prince Moriyoshi, the Third Son of Emperor Daigo, Reciting the Lotus Sutra in the Dungeons of Kamakura, January 1886

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

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monkey with arms spread and mouth open, falling off a cliff in front of a waterfall; group of monkeys on top of cliff in URC look on — A monkey jumps into a waterfall, 1864, 12th lunar month
Tsukioka Yoshitoshi; Author: Sumida Ryōko; Publisher: Fukushimaya Tashichi

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two separate sheets; ink drawing on thin paper; scene on a bridge with foreshortened figure at right, jumping in a tight ball in the air, with PR hand outstretched above head; crouching man with wide stance at left, wearing armor, and holding a staff at the diagonal, head tilted toward PL; detail of railing at URC of left sheet — Preparatory drawing for the left and right sheets of Picture of the Gojō Bridge from the Chronicle of Yoshitsune, c. 1881
Tsukioka Yoshitoshi

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woman leaning forward, with her brown and yellow striped kimono with black collar slipping off her PL shoulder, lighting a small lamp on a black lacquer shelf, with a pillow roll beneath her; tan basket or box with black handle and red and yellow object (pipe?) between woman and shelf — Appearing Dark, Behavior of a Wife of the Meiji Period, March 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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two image on one sheet, configured horizontally; left image: man wearing grey, brown and green striped kimono with blue trim and red and black undergarment, holding a green tube-like object, with a flaming scowling figure with blue skin and grey hair behind him; right image: man wearing green kimono with yellow and white bird designs, lined in red, riding through waves on a giant fish, with a fishing pole held over his head — Left: Kurikara Kengorō; right: Hohodemi-no-mikoto, 1867, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

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woman reading a book, propped against object covered in green fabric with multicolored floral fan patterns, with a black and white cat lying on top of it; woman wears a gray and blue kimono with black collar, with floral rondels, with collar of blue with white flower and bird pattern and red undergarment — Appearing Warm, Behavior of an Urban Widow of the Kansei Era, March 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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standing woman with her head bent, with her hands beneath her sleeves drawn up to her face; woman wears kimono with grey and white checks and pink lining, and brown obi; grey and black branches and leaves above woman; semicircle of bricks behind her on ground — Okiku’s Ghost from ‘Dish Mansion’, August 1890
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Takimoto Chokuzan

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High Priest Kōmyō, February 1874

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Shimada Tomekichi; Author: Takabatake Ransen

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ink drawing on thin paper with touches of red and yellow; pair of figures wrestling in foreground--a man wearing and a demon-like figure; demon seated in background at left wearing draping garment, with a droopy face with open mouth and a second face on stomach, with PL arm stretched upward; skeletons in background behind seated demon; flowered curtain at right; patterned flooring in foreground; unsigned — Keyblock drawing for "Toki Daishirō", 1865, 2nd lunar month
Tsukioka Yoshitoshi; Author: Kikuyōtei Rokō; Publisher: Daikokuya Kinnosuke

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two men; standing man with moustache at left with a drawn bow, wearing wide-legged blue pants, red and black armor and brown and white gloves, looking up; man with moustache at right, kneeling on one knee, wearing a blue and white garment with black and grey sleeves, holding a blue dagger (?), looking up at arrow above his head; bold black, red and yellow jagged patterns in sky; pink cloud (smoke?) from LLQ diagonally behind man in blue and white across picture plane — Genzanmi Yorimasa and I no Hayata, October 1878
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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three sheets joined together; drawing in black and red; battle scene on a sloping hillside, descending to a valley in LRC; standing man with a ponytail and headband, holding a staff behind his back, with his PL hand on his check, at left; many figures descending mountains in a stream to right of standing figure, with lunging man at left edge of center sheet; man on horse at center of middle sheet; figures descend to valley, with a battle with clouds of smoke — The Summer Battle at Hakone, c. 1874
Tsukioka Yoshitoshi

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reclining woman in an interior; woman wears garments that are purple with white and yellow flowers, green with multicolored leaf-like patterns, red and white, with yellow cords and tassels; sunken fire pit in LLC with yellow burning flames and smoke; falling snow beyond window in ULC — Picture of Seigen's Ghost Yearning for Princess Sakura, May 1889
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Noguchi Enkatsu

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three sheets joined together; portrait of a scowling man with brown beard, moustache and long hair gathered in a yellow tie; man has hands on sides and leans slightly forward; garment has brown ground and brightly-colored pattern with a yellow dragon and purple, green and blue clouds; black ground; large peach-colored moon, ULC — Moon: Actor Ichikawa Sanshō as Kezori Kuemon, 1890
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Wada Yūjirō

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female figure in red robe with white flowers on ground before male figure in black robes with white designs; both figures at the foot of stone stairs and stone wall — Prologue, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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three separate sheets; distressed-looking crouching woman at left, wearing grey kimono with orange and yellow flowers along them hem and red flowered obi, holding a green bamboo lantern; standing man at center wearing a kimono with blue, purple and white striped and patterned sleeves and blue body with swirl patterns and orange obi, holding a fan in his PR hand with blue geometric pattern; two women at right--crouching woman wearing dark blue kimono with light blue flowers and standing woman wearing blue kimono fading to pink at hem, and yellow obit with blue and green checks; two other women in background behind man, to his PR; seascape beyond with boats on water and night sky with moon — Distant view of Yokohama from the Daikokurō Restaurant at Kanagawa, 1864, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Yamaguchiya Tōbei

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two sheet configured vertically; red-skinned chubby nude figure clinging onto the back of a very large fish, which is diving down beneath water surface; turtle, LRQ; woman with long flowing hair wearing a white blouse with predominately dark blue pattern and light blue skirt with her PL hand up to her brow, on the rocky shoreline at top — Kintarō Snaring a Giant Carp, July 1885
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

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portrait of a woman holding a small yellow spoon in PR hand and orange pot with yellow interior in PL hand; woman wears purple striped kimono with small white flowers inside circles and orange underkimono with starburst design; very large, slightly abstracted purple flowers with leaves and stems in two shades of green behind woman — Somekawa, 1864, 7th lunar month
Tsukioka Yoshitoshi; Artist: Kawanabe Kyōsai; Publisher: Daikokuya Kinnosuke

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one sheet; woman with long, blowing hair, wearing green skirt with round floral patterns in brown and dark green, and red underskirt, with a large blue and yellow hair ornament, creating a breeze with a yellow and red fan on which a grey monkey wearing a green blouse and light green pants and brown boots, upside down, with a yellow staff — Momokawa Enkoku; Sun Wukong and Rasetsunyo, 1868, 1st lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Ōmiya Kyūjirō

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three separate sheets; man at center in foreground, kneeling on straw mat, with head thrown back and mouth open, holding up his PL arm; man wears white and blue blouse and purple pants with white medallions; woman and man kneeling with hands folded at right; woman wears purple floral kimono; man wears olive green kimono with white medallions and tall black cap; figures at top in flame-like vision, including large man at center with long black hair and beard, with open mouth, wearing light blue kimono with hat with blue and red round elements, woman's head on a gold and black stand, two demons--one with blue skin and white hair and one with brown hair and horns, man with paper at left and man with black moustache at right — Picture of the Fever of Taira no Kiyomori, August 1883
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon

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one sheet; man on a dark brown horse with red trappings; man wears a white turban and multicolored garments with dark blue, black and red armor, and holds a sword in his PR hand; clouds of brown and grey smoke — Uesugi Kenshin Nyūdō Terutora, the Danjō-shōhitsu, December 1883
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

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showing 100 of 274 results matching creditline:"The Mary Griggs Burke Endowment Fund established by the Mary Livingston Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift of Edmond Freis in memory of his parents, Rose and Leon Freis". (load 174 more)

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